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2922-D-2006. Number of resolution of the Legislature of the City of Buenos Aires declared of cultural interest to independent venture "Urbania" and his novel radial "Urban Design"

DRAFT RESOLUTION
Article 1 .- The Legislature City of Buenos Aires declared of cultural interest to independent venture "Urbania" and his novel radial "Urban Design" by residents of the District of abattoirs, to be held from October 20, 2006. Article 2 .-
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Mr. President,
Urbania is a journey from the district, contemporary and historical at once, in search of deeper, learn and enjoy the reality and identity of belonging to the Buenos Aires.Proyecto conglomeration called Urban fiction is the graph that same reality through a bar Friends of the last four decades of argentine history, its creator, Franco Monzani, is preparing for a similar job, travel the huge and multifaceted Latin American Babylon, the city called Santa María de los Buenos Aires.Prolífica dissimilar neighborhoods and individuals, increasingly articulated with more order, now all of them try their specific issues but Buenos Aires has a clear identity and a area that does not recognize independence fronteras.Sin however, not take it for known not to accept the city's essence without doubt, the epic begins with the invocation of Juan de Garay is an issue buceado.Y deepened and, curiously, the vast city \u200b\u200busually only referenced in a handful of traditional sites, often associated with the Colony or the beginning of the country, while losing their sense of identity in the debris that cause impersonal buildings, public places that are no longer frequent and gentrified and rapport comfortable co-opts what globalization of cities, with a genuine personality of Buenos Aires in retreat, which is often more valued in Paris or Tokyo in any corner propia.Y all this, despite strenuous public and private efforts to publicize the city and its history, trying to promote knowledge from large and ambitious cultural projects to simple clarifications as to platelets in some corners, squares, monuments, buildings, hoping to read at least once more that the day he colocan.La lack of Argentines on these issues is to not feel the public places as their own. So the board, the statue, the official cultural center, it is not their own, for everyone. No matter what hero persists as a jockey in a neighborhood square, more white matter structure that supports to write a insulsez.Con this concept is interesting, deals and pushes, just Urbania group based in Slaughterhouses or Commune 9 or in any quarter, wish, from the humble position of an experimental center and from the ether, contribute to the culture and identity of Buenos Aires, as a testimony. With the basic ideas, experiences visiting celebrities counted from the neighborhood, chats with actors and talks with people who clarified apocryphal, gracefully through the absurd, anachronistic or exaggeration, to some extent, who are the locals.
culture is not fashionable. Never was. At least, in the narrow sense. Worse, when a select group self-conviction seizes on economic power and cultural expression and accepts or rejects according to specific parameters, which deserves the nickname cultural.Como from the base, this concept sinks, either snobbery or abolished titles of nobility in 1813, is outside the great mass of people, condemned to misconception and demagogic, symbolized by the illuminating phrase cachengue people want and not think, that adds to the pleasure mostly mediocre expressions, not by choice, but rather as usual identificatoria.Esto result is 15 years listening to this music terrible, and yet I love her, not because the acceptance is pleasant, but the grace of longing for those años.Víctima world champions of snobbery, which go to the theater to see plays that do not understand to show their costumes, or the large orchestra tune of demagogues and merchants of the art, that minority bet, disordered and disjointed, recognize, with options that apply to all other deep and popular, is seen in figures caught between Scylla and Charybdis, doubting and struggling mightily to avoid falling into the grip of either of these two monstruos.Como this idea to make a humble contribution to the culture, starting with an epic scroll radial our neighborhoods, is inspired with the utmost respect and admiration for Publio Virgilio, the greatest poet of America, we have allowed, if not hit like him in the pen, at least imitate their faults. And one of them has been neglecting the objectives you had this presentation, as did his Georgics Virgil, where he abandoned the idea of \u200b\u200bteaching agriculture to discuss your ideas.En who would later become the glorious Greek Thebes, defended by the glorious Epaminondas and Pelopidas, Cadmus killed the dragon and sowed its teeth, the birthplace of a race of men, of course, after fighting and killing each other, they built their exact pueblo.Metáfora culture-a culture of self-and identity, children of Mother Earth, the Thebans are an example of what we ser.Nacidos in Buenos Aires or not, raised and grown on her, finally reach culture and identity, both or one, if not the same thing, with profound vocation. And if the Thebans defeated the greatest power of his time-the Spartans-with courage, wit and love of neighbor, "he who struggles with a" we can do it too. We defeat those who want to impose barbaric and degrading subcultures through their power. Unless we have lied since 1580, and not be, brave, powerful and capable as we thought so far, or thought to believe.
In the Barrio, Slaughter, Comuna 9, South of the Autonomous City of Buenos Aires, capital of the Republic, was born independent cultural project of narrating the slum neighborhoods calling on the Legislature the enactment of this draft resolution.