display Fever Ray + + was not born in Manchester and you get a happy Friday. Switch
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Want start a holiday mood with accurate?: Jot
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The Twelves : duo djs / producers extremely partiers, are Brazilian, the ultra-split, the mega-burst.
Fever Ray: alter ego dark-synthpopero Dreijer Karin Andersson, the girl from The Knife (another less partying duo darker melodramatic), the man is Swedish.
NNM was not born in Manchester : Chilean site specializing in the movement of "cultural entertainment, where they are very up to date on these issues of remixes and successfully escape the hype dumb, they succeed.
Seven (The Twelves Remix) : is the version electro / disco / funk (funk more disc) of one of the singles from the album Fever Ray, remixed by The Twelves, who are on the path hard turning this into a dark electronic ballad Carrasquer fiesterísimo holiday theme.
BBC Electric Proms is a British festival where the premise is merge and enhance the current sound (either multi-band indie or mainstream) to histrionics and symphonic grandeur of the BBC Concert Orchestra .
This festival is transmitted through its online radio free.
Via: Scrambled River (blog on Articles and Essays on the Contemporary Art in Ecuador, with special emphasis on what happens in Guayaquil)
dialogues between works are collected in Playlist without doubt much more intertwined than suggested and activated in this catalog, beginning with some parallels in the formal devices and the use of certain means, such as we see the handwriting becomes overflowing Drawing of subjectivity in Manuela Ribadeneira, Karina and Stephanie Skvirsky Peñafiel, or how the work of the latter shared conceptual strategies with Oscar Santillan.
establish further links in the tunes that exist in their content: works that explore similar contrast horizons in different ways, one of them the substrate ideology is presented as one of the central issues of this historical period, works such as Juan Carlos Leon, Graciela Guerrero, Saidel Brito and X. Andrade are crossed by this issue. It is interesting to note that there is also a need to work from prying eyes and perspectives anchored in the past far, as have Leon and Peñafiel, or, on the other end, the memory of the childhood as we see in Pamela Hurtado, Fernando Falconi and Skvirsky. In another vein striking how Ilich Castillo Pablo Cardoso and have explored ideas about the pitfalls of representation and the weight of technological mediation on individual experience as different ways but basically related.
The show also sees a boost to delineate our marginal features a unique personality, often from sources whose aesthetic is linked to popular culture, locking messages with local relevance, and despite being able to communicate with eloquence in other contexts speak clearly from Ecuador, becoming the place where creative these deviations arise at a periphery without complex itself, as is clear from the work of Wilson Paccha, Stefano Rubira, Gabriela Chérrez, X. Andrade, Graciela Guerrero and Miguel Alvear.
Such observations can be multiplied in the course and therefore the sample postulates a receiver inquiring and critical exercise, hoping that every visitor can spin their own relationships, interpretations and stories: emancipated way open to the viewer, using the term Rancière .
In the days that ended this text fell into my hands by chance a copy of the popular guide Lonely Planet travelers, which aptly summarized the "national psyche": "The majority of Ecuadorians have three things in common: pride in his country's natural wealth (both for its beauty and its resources); disdain for corrupt politicians who promise to redistribute the wealth but continue pocketing, and the presence of a relative in another country [...] From this, the psyche is blurred, and the individual's attitude becomes a matter of altitude [4]. I immediately thought this exposure and how this comment could be seen symbolically reflected and radically more complex in its interior.
is clear from this selecting the visual arts scene in the country is extremely broad. That reaffirmed my intention to stay away from affectation thematic and often restrictive intellectual firulete some curatorial agendas or biennial format. I wonder if as stewards at these events we try to account for the universe of what is really happening in the art, or prefer to place work to illustrate and verify a default statement. I prefer, as I said, leave field open to a script open to different possibilities and the sample-sucking leech some attention as in the context of the Biennial of Cuenca, be interpreted as a failed attempt, perhaps, but honest-to flesh out a scene alive. Press PLAY to start listening. Rodolfo
Reflections of a pulse latency: ITAE at the Biennial of Cuenca
Practices emerging from Gye, sample parallel to the Tenth Biennial of Cuenca. October 24 to November 20, 2009, Quinta Bolívar, Cuenca - Ecuador
Via mail arrives:
The Technological Institute of the Arts of Ecuador "ITAE" presents the exhibition "Reflections of an impulse in latency, "a vague itinerary that allows you to enable artistic projects developed by emerging artists from Guayaquil, who are shaping their individual poetics in the heat of the unstable fluctuations that characterize our local cultural scene.
In no way is intended to reduce, in the exhibition concept articulated the inherent complexity of academic processes take place in the ITAE, on the contrary, the curator emphasizes the multiplicity of trends, concerns, interests and questions that circulate in this space, which is not only an educational institution, but essentially, the impulse generation of a slope within the local contemporary art.
parts that make up the trail running devices criticality with respect to the dialogue between art and society, art and politics, art and anthropology, from positions that recognize artistic practices productive potential, and not to create a better world but to re-create imagined worlds in full harmony with glocal flows of culture.
Participating artists
1. Juan Carlos Leon 2. Graciela Guerrero 3. Juan Caguana 4. Juan Carlos Fernández 5. Daniel Chonillo 6. Gabriela Cabrera 7. Sandra Coronel 8. René Ponce 9. Ilich Castillo 10. Jose Hidalgo 11. Sandra González 12. Oswaldo Terreros 13. David Palacios 14. Romina Muñoz
Curated by Ana Rosa Valdez.
Comment Aside: Is not it ironic that people have more activity Gye and space in other places (more valid)?.
Maybe I'm wrong, or just be my impression. Show
recommended for those who go to Cuenca in the Biennial.
and other images taken from the same series of graphics but not published:
Lamb
Penitentes
Temptation Ephemeral.
Chambers, photographer and artist training and discovery casual, is currently integrating the activities of the CIA, Graphics, and is a pleasure to publish his work which has already agreed to mass-circulation media such as The Telegraph.
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